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ใ欧洲的某%๐ด๐๐คฎ%个地方ใ่ฎฒ่ฟฐ็ๆฏไปไนๆ ไบ๏ผ
ใ欧洲的某%๐ด๐๐คฎ%个地方ใSom๐`๐๐ e๐ ;wh ๐ere i๐ฌn the ๐๐ฌ๐remote region,๐ช๐๐คฃ%๐คข the war ๐,ends/๐คช`. In๐ the ๐@๐๐#m%๐คญ๐คฅ ๐i$=;๐คซ๐dst of ruined c๐ ities and houses in th๐ค๐๐e st๐ถ๐ ree๐๐คt๐๐คชs, in rural$๐คจ haml๐๐๐(๐ets, ๐@ everywhe ๐ดre where ๐คฃ peop๐คค๐@๐ทle stil๐คl live, are ๐ค๐คญchil๐๐ค๐๐๐dren w๐ ho ๐๐=,๐คhave]๐๐ค, ๐๐ค๐!๐คlost the ir hom๐๐ค,es and๐ pare๐ฌ nts. Aba๐๐คจ๐๐ดn๐คซ๐๐๐คจd๐ช๐ทo๐ค๐ฌned, hu๐[!ngry, an($@๐d in ๐ ๐ rags, ๐คญ๐de,๐คจf^[ensele ๐ช,๐ถ ss=๐ a ๐?nd hum๐๐ทiliated, they(๐ wan๐คขd๐ค :er thr ๐คou๐ gh the w๐๐คฎ๐คฅorld. Hunger (๐ฅฐdrives ๐คฃthem. Little stream^\๐๐s o๐ !f or๐คp(๐ ๐ช@han๐๐คs merge ๐ into a ๐๐ค๐river which rushes forward a,nd submerge๐๐๐s ]๐คคeverything in ๐๐i๐ts path. T%๐คhe chi๐?ld๐คฃ+๐ren?:๐ค do not k[๐๐ค )now an๐คฎ^๐+y^๐คช๐ feeling; \the:๐ฅฐ๐y know o] ๐๐คฃnly t๐ทhe.๐คค๐คฅ world o=๐ค๐ท f๐คฉ ๐ t๐] ๐he๐๐คญ๐`๐คขir ene๐ค๐mies. -๐ท๐๐ชTh๐ค๐๐ey fig๐๐๐ht, steal๐ช๐๐๐., struggle f๐๐คขor ๐)#a mo๐ uth๐๐ค๐ful of food, and v๐๐ฌ,iolence is merely a ๐๐คช๐คฅmeans to get_๐ด it. A gang led๐ฅฐ] )๐[=by Cahou๐n ๐๐fi๐๐nd\๐๐๐s a refug๐ e in an abandoned \๐คฃ๐คca๐ด๐คชs๐ค๐ถ๐คขtl#๐ ๐e๐๐คฉ๐คจ and e๐๐ท๐คขn!๐คcounters an old co๐๐mposer๐คญ! wh๐คคo ๐;` has volu๐ ๐คn๐ฅฐ!๐ดta๐๐คฎ๐คฎ;rily ;๐@ ;re`๐๐tired ๐ฌ)into solitud๐-๐ฌe from a world of ha ๐ถt r๐คซ๐ed, ๐คฅ )๐t๐๐คฅreason, and ๐๐คจcrime. How c๐ ๐คan th๐คฃ๐คฉ๐%๐ey find a c(((ommon ๐ช ๐ช๐gr ๐o๐คญ๐คฎ๐und, how ca๐คฃ๐คฃn they beco ๐me mutua๐๐คญl friends #/๐The๐ฌ๐๐ cas`๐คข๐ tle bec๐#๐คคomes the๐ ๐ir hiding%,๐ p๐๐๐lace but poss\๐ช$?ibly it wil,๐๐๐l also ?๐คซbe ๐ค( ๐ถ๐คญthe๐ ๐ด๐๐ir f?๐คฉ:๐คญirst home which they ma[๐ถy๐/๐๐] org๐ฌ๐an๐ท๐ize and๐๐ m๐ชu]๐คฅ ๐คชst defend๐ @-. But?๐ even for this, th๐e๐คค๐ price๐๐?_ w ๐คฃill ๐๐๐be very high๐๐+๐.๐ช๐คคใใT ๐๐o thi๐ท๐คญ๐s๐#๐`๐ simple ๐๐ค๐คฅ๐ด๐คขstory, th๐e jo๐ urnalis๐ค๐คจ:t, writer๐๐, ๐ poet, scr๐`iptwriter, movie๐ di๐คฅrector, and fil๐ฌm theor๐ ๐คฅ+#et;*๐\๐คฃician Bรฉ๐ด$la ๐B๐]๐alรกzs ap ๐๐ดp๐๐lied;.๐ค๐ many ye+ar๐s๐ ๐ฌ of exper๐คฎ๐๐คฃience. $He ๐ and t๐๐he di\๐คคrector Gรฉza / ๐R ^๐a#?d*๐คญvรกnyi๐คฅ.#๐ cr๐๐+eated a work which @ (o^_pene \๐๐ด\d % a new p๐๐ถostwar ๐ด๐ค๐chapter๐ค ๐๐ด๐คญ๐in๐๐;๐ Hungarian film. ?๐Surpr๐คซ ๐isingly ๐ช`,๐๐ this f ๐i_๐ด๐?lm has ๐ค๐คคnot lost๐) any of i๐๐คค๐คฅts ๐im๐ pact ๐๐over ๐ถ%the years, espec *๐ia๐lly on a ๐คซp.;๐[rofound ๐philosophic!๐ถal le๐๐คคvel. That is to say, i๐t๐คฎ is not !@ me๐คฉ๐๐rely a ๐ค๐๐๐๐mo๐คซ๐vie ๐ฅฐ๐คฃ]๐ฌabout wa๐ถ/๐(r; it is n๐๐ *ot important i๐n w h;๐๐คค at๐?/ location๐\๐ด๐๐ and in what perio๐d ๐๐ ๐;๐of time it take$๐ด ๐คฎs place. It is a sto๐+\r๐/y outside๐ of time ab@๐๐o#.ut the ๐jo(+yless f๐, ate of c$,๐^hil $๐ฅฐdren ๐๐wh ๐๐คฃo๐คฉ๐คค pay dear๐๐ช๐ly for _๐ด๐ฌ๐the ;,cruel ๐war games of ๐ค๐ad๐!ults.๐#๐%ใใA t๐ the t๐๐คซ๐๐ime it `๐๐ท๐ค๐คw๐คฉ?๐as premie๐ red, the movie was enthusiastical๐`ly ( rec;*๐ทeiv๐๐ed ๐ ^by t๐ฌ๐he cri๐๐tics.๐ช ๐คข^The m๐ค๐ท๐ฅฐain roles were!@=๐คซ taken ๐คซ##๐คจby stree=๐๐twise bo\๐คซ๐คญys of a children's ๐gr๐๐ชoup who created their ro๐คles -๐คจimprovi`satio ๐ค๐๐๐nal ๐ly i๐๐n close contact \๐๐,with a fe_%w profes๐sion๐ค๐คญ_al๐+ actors๐ค!, and i%๐n the c๐๐คซ#๐hildre๐๐]๐n's acting t๐heir own fresh ex%(๐๐๐ดp๐๐คซ eri๐๐ *ence of war's turmoil app๐ค,๐ears ๐ค๐คข๐ ]๐ฌto be reflected. At the๐คค] same๐๐ ti๐คฎ๐m๐คฎe,^ their performance fits admirably in๐ค๐๐to the mosaic๐คข๐, of a very com.๐ค๐ฌpl๐คจ๐คข๐ถex movie languag๐คข๐#๐-e๐ค. Balรกzs's$@_๐ influence reveal@๐คฅed itse ๐$๐ดlf, above al=] ๐l, in the introd๐๐ด+%๐คฅuctory s๐๐+๐eq๐ช๐ค๐๐uences an air๐๐ raid )=on an ^=am #usemen๐t park,;!=๐ค๐ seen๐ด#, in a montage ๐ ๐คค๐of ๐ท ๐dramatic ๐situations ๐ค๐ท๐ฅฐevo๐คฅ;k๐-ing the last spasms o%f war๐๐คฅ๐@,๐๐ where, ๐ท*]undoubted..-ly, we discer๐๐n th๐.e๐+ ๐ influ$๐ช`๐ence%๐ of cl๐ค๐assical Soviet cine๐คฉ ๐mato๐ค๐gra:๐คphy.๐๐/ /^S๐๐๐hooting, t๐ ๐he boy's escape๐๐๐ , the l๐ฌ๐ด๐ถocomotive's๐๐๐คช whee%`ls๐๐ค ;, the s\๐คฉ๐\๐คฉhadows of s ;๐๐ด๐o ๐ค๐ ๐ค๐คl/diers with@๐๐ด su#;๐b?๐๐machine guns, the sound o๐ด@;f a w๐,histleโthe images ar๐ค]๐คญ e๐๐ค linked ๐ฅฐ^๐ฌtogether i๐๐๐n๐ฌ๐ abru -๐ช pt ๐se๐๐q๐คฎ@^๐๐uen๐คญ๐ ces @๐in wh-๐/ich varyi๐_% ng shots ๐ค๐๐๐a:๐ค๐#๐nd ๐๐๐ช)ex)/pressive sha๐ฅฐ-rp๐ค๐คค๐ด๐ค ๐๐๐sou๐๐nds are๐ค๐คซ๐ด em๐ph๐ a?si ๐คจ๐๐คญzed. A perf( ๐ectly ๐ค๐๐ถ๐๐ฌplanned s๐ค๐๐คญ๐creen+play avoided all elemen๐๐ดts of sentim๐ชe๐ค๐คntalit ?y, time-worn๐^!๐ stereoty;/,๐๐pes๐๐=๐ช of@ ]๐#wronged ๐คฃ๐* ๐childr`en๐คฉ๐ฌ, romanticism an?;d cheap simp^๐*@lification. The au ๐tho:๐คrs succe๐ท๐คฎeded in๐ bridg ๐คคing the pe๐ท_๐๐๐rilo๐คฅ๐us@๐ค๐ค ๐๐คญ๐dramatic ab๐ค+๐คฉ๐คฉyss ๐๐คจ of t๐คฉ๐คข๐๐คh๐๐คช๐ท๐คฃe metamorphosis of `๐ #a childre๐๐คญn๐๐๐%'s๐๐,๐ com๐ค๐คค.munity. Th๐eir t !๐๐elling of๐๐ th๐ฌ๐๐$ e๐\@ ๐๐s๐t%๐คory (the scene of pillagi๐๐ฌng, th๐^*e๐ ass:๐๐คฃault on t๐:he castle๐๐, et,c) i )?ndependently๐ฅฐ introduced so ๐ด๐๐๐คฎme neo ?realist element,๐_s which, at t๐ด๐คค๐คha๐)t ๐time, w๐ฌ^+er๐คซ๐ค๐ท๐e๐๐๐ ๐#๐คญ๐ฌbe๐คญ๐?i[๐ng pro๐๐pagated in Ita๐คฎ๐คญly ๐คฅ by De๐ค๐คช๐๐ Sic๐๐a๐ช#!, Rossellini๐-๐, an๐คฎ^๐ ๐d other film arti๐๐sts. The reb.๐ :u๐ ๐ ๐kes of cont๐๐emporary cri๐คญ๐tic s, w-๐คช/ ho]๐ called atten๐๐คข๐คซ๐คซtio ๐๐คn to for-๐ดmalism๐๐ f๐ฅฐ$๐or !๐ it๐.]๐s o%๐wn /sa๐๐ค#ke have b๐ฌ ๐ ee๐_n forgott๐คฃen. ๐ช ๐๐T ๐he?/ masterly art o๐คฃ,๐ค๐f ca๐ด๐คฎm๐คฎeraman๐๐ ๐๐คB)๐ค]@ar๐๐๐ nabรกs He(gyi gi๐=,ves v๐ฅฐ๐itality:๐๐คฎ [๐คto the po)๐etic ima๐ค๐๐ges. H ๐๐๐is a๐ ๐คngl) \e _ ๐[shots of ๐ถ๐คชth@๐e๐ child ๐๐คren, hi๐]#s compo๐๐sition of scenes in the ca@๐๐คstle ๐ช]๐.๐คฎinterior,`๐ are a li #;vin๐ท๐ถg doc=-๐%ume๐๐nt [ o-๐ f t๐ทhe times๐๐ฅฐ๐คข๐ด,๐คฅ๐ ๐คฅ` and underline๐ด=๐๐๐ the atmos๐^phere=๐๐คข ๐๐๐๐คฅ^and the charac๐ท๐คter๐คฎ๐คซ๐ช๐คฅs of t+๐คฃhe protagonists. ๐๐๐๐The s๐ #uc๐คจ๐ค๐คce@๐ss๐คจ๐คค๐คซ๐ of the+ pict๐๐:๐ทure was also enhanced by the musical art๐ค๐๐คฃ๐@ of ๐compos๐ค^ er Dรฉnes Bud.๐ฌay๐ฌ๐๐ค๐ฌ๐ who, in๐คฉ๐ te๐ถn ๐@se situat๐๐คฎ๐io(,ns, :๐inserted ๐คth ๐ดe theme of t:๐ค๐๐he Marse_๐คฃ๐คซ๐ค#ilaise๐ค[๐ into the mo๐คฅ๐ฌ๐คvie's st==๐ru^)๐คctur ๐e, as a motive ๐คฃ`๐ค๐๐of community unific` ๐คซ๐คฉa๐ค๐๐คฎ ๐ti ๐คฉ๐ on, as an e๐ค/๐๐x๐คซpression of๐คข๐ friend๐๐คข๐s๐คค:๐คชhip ๐and the possi๐!b๐๐๐ility๐ฌ: of \)^๐ค@un+,/derstan๐คจ๐d/+๐ing.ใใValahol Eu๐คฎropaban is the f๐๐คirst signifi!^ca๐คฉ๐๐คnt post๐คฅ ๐ทwar Hungari ๐an fil๐ฅฐ ๐คข?m. It originat๐คค; ๐ed๐๐. in a rel๐คช ๐ axed atmos๐๐คphe๐re, re๐๐คคpl^๐ete w$\๐ค๐ค๐ith j๐ถoy and euphori๐ค`a, and it :๐คฃ in๐ค๐๐clud๐คฉ]`๐ถes these element#๐!s in order to demons๐คญ๐trate the๐ค๐ค st@%๐%r`๐]ength of huma๐คค๐ค๐nism, toleranc๐!๐e, and๐๐คญ๐ค fr๐i๐คซ๐๐๐คขendsh๐คญ`๐i-=p.๐ถ๐ด๐`๐ It represents a ๐คข๐ค_ge ๐ฅฐneral condemnat๐=\๐ค๐ถi]๐ค๐๐on of war anywhere in the๐๐ world, )๐๐ฌin any fo=๐ฌ/rm.
1ใใ欧洲的某%๐ด๐๐คฎ%个地方ใๆฏๅชไธๅนดไธๆ ็๏ผ
ใ欧洲的某%๐ด๐๐คฎ%个地方ใๆฏRadvรกnyi,Gรฉzaไบ1948ๅนดๆๆ็ไธ้จ็ปๅ ธ剧情片ใๆญค็ๅผๅ其它ๅฝไปฃ剧情片็ๅ ๆฒณ๏ผใ欧洲的某%๐ด๐๐คฎ%个地方ใไธๆ ๆถ็ฅจๆฟ็จณๅๅไธ๏ผๅไธๅฝๅนด็บชๅฝใๅฝๆถArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiๅไธบๆไฝณไธป่ง๏ผArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiไปฅ็ฒพๅฝฉๆผๆๅ็ชๅบๅฝข่ฑก๏ผๅฅ ๅฎๅจ其它ๅฝฑๅๅฐไฝใArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnki้ฅฐๆผ่ง่ฒ้ ๅๅคๅนดๅไปไธบไบบๆๆจกไปฟใRadvรกnyi,Gรฉzaไนๅๆพ่ขซไบบๆ็ๅ ถ่ฝๅ๏ผ่ใ欧洲的某%๐ด๐๐คฎ%个地方ใๅดๅฅ ๅฎRadvรกnyi,Gรฉza剧情片้ฃๆ ผใใ欧洲的某%๐ด๐๐คฎ%个地方ใ้ฆๆ ๆถๆพ่ทๆตทๅค剧情片ๅๅชไฝๅนฟๆณ็งฐ่ช๏ผ่ขซ่ฎคไธบๅ ถไผ็ง็จๅบฆ๏ผๆฏ่ถณไปฅไธๅๆถๆ๏ผๆ1948ๅนดไปฃ๏ผ其它๏ผ其它๏ผไผ็ง剧情片้ฝๅใ
2ใ่ขซ็งฐไธบ剧情片็ๅผๅ ๆฒณไนไฝ็ใ欧洲的某%๐ด๐๐คฎ%个地方ใ๏ผๆฏRadvรกnyi,Gรฉzaๆๅฅฝ็ไฝๅๅ?
ไปRadvรกnyi,Gรฉzaๆฉ่ท剧情片ๆไฝณๅฏผๆผ ๆๅฐฑ่งๅพ่ฟ้จใ欧洲的某%๐ด๐๐คฎ%个地方ใๆฏไปๆๅฅฝ็剧情片ใ่ฝ็ถRadvรกnyi,Gรฉzaๅๆฅ่ฟๆๅบๆฅไบ่ฏไปท็นๅซๅฅฝ็剧情片๏ผไฝๆฏใ欧洲的某%๐ด๐๐คฎ%个地方ใๆฏไป剧情片็ไปฃ่กจไฝๅใ
3ใใ欧洲的某%๐ด๐๐คฎ%个地方ใไธบไปไนๅฏไปฅๆไธบ็ปๅ ธ๏ผ
ๆ่ตท其它๏ผไบบไปฌๅฐฑ่ฏๅฎไผ่ฏดๅบใ欧洲的某%๐ด๐๐คฎ%个地方ใ็ๅๅญใ่ฟ้จ็ฑRadvรกnyi,Gรฉzaๅฏผๆผ๏ผArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiไธปๆผ็ใ欧洲的某%๐ด๐๐คฎ%个地方ใ๏ผๅจๅฝๆถ๏ผ็็ๆฏๆไธบไบไธๅน้ป้ฉฌ๏ผๆๅบไบไธๆก่ก่ทฏ๏ผๅ้ ไบไธไธชๅฅ่ฟนใไธบไฝไผ่ฟไน่ฏด๏ผๆๆณ๏ผๅฐฑ่ฟRadvรกnyi,GรฉzaๅฏผๆผๅArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnki๏ผ้ฝๆฒกๆณๅฐ่ฟ้จ剧情片ไผๅพๅฐ่ฟๆ ทๅฅฝ็ๅๅใRadvรกnyi,Gรฉzaๅ ็ๆพ่ฏด่ฟ๏ผ่ฟๆฏไธ็พคๅคฑๆ็ไบบๅๅฐไบไธ่ตทๅไฝๅบๆฅ็ไธ้จไฝๅใๅ ไธบๅจใ欧洲的某%๐ด๐๐คฎ%个地方ใๅผๆไนๅ๏ผArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiๅทฒ็ปๆๅ ๅนดๅนดๆ ๆๅฏๆ๏ผ่Artรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiไธปๆผ็剧情片๏ผ็ฅจๆฟๅง็ปไธ็ๆณ๏ผ่ฟๆ ท็ๅ ไธชไบบๅๅจไบไธ่ตท๏ผไน็ๆฏ็ผๅ๏ผๆไปฅ๏ผๆญฃๆฏ่ฟๆ ท็ๅคฑๆๆๅๅผบ็็่ชๅฐๅฟ๏ผไปไปฌๅจ剧情片ไธญๆๅ ฅ็็ญๆ ๏ผๆฏๆไปฌ้พไปฅๆณ่ฑก็๏ผๅ ถๅฎใ欧洲的某%๐ด๐๐คฎ%个地方ใไธญ็ไบบ็ฉๅฟ็ๅ็จๅๆไบบ็ๅงๆ ๏ผไฝๅฐไธๆฏ็ฐๅฎไธญไปไปฌ็็ๅฎๅ็ งๅข๏ผๆไปฅ๏ผไปไปฌๆ็ไธ่ ๅฟๆไธ็็่ฑ้ๆฐ๏ผ็จไปไปฌ็ๅฎๅๅไบบๆ ๆๅฐฑไบ่ฟ้จ็ปๅ ธ剧情片๏ผไนๆๅฐฑไบไปไปฌ่ชๅทฑ๏ผ
4ใๅฆไฝ่ฏไปทใ欧洲的某%๐ด๐๐คฎ%个地方ใ?
ใ欧洲的某%๐ด๐๐คฎ%个地方ใๅฃ็ข้ๅธธๅฅฝๆทฑๅๅนฟๅคง่งไผๅ็ฑ๏ผใ欧洲的某%๐ด๐๐คฎ%个地方ใไธ็ปๆญๆพ็ซๅปๅผๆฅๆ ๆฐไบบ็น่ต๏ผไธไป Artรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiๆผ็ๅฅฝ่ไธ่ฏฅ剧情片ๆ ไบๆ ่ไน้ๅธธ็ดงๅ๏ผๅผๅฟ่ง้ข่ง็ๅ ่ดน๏ผwww.tlfffw.com๏ผ่ง็่ตทๆฅ็นๅซๆต็ ๅๆถ่ฟ่ฝๆฃไบบๅฟๅผฆ๏ผ่ฝ็ถ็ฎๅใ欧洲的某%๐ด๐๐คฎ%个地方ใๆถ่ง็ไธ่ฌไฝๆฏ่ฏฅ็็ฎๅๅๆฌข่ฟ็จๅบฆๅทฒ็ปๅๅๅ่ ใ่ฏฅ剧情片ไธปๆผArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnki๏ผๅฅนๅจ่ฏฅ剧情片ไธญ็ๆผๆๅฏๅๅฏ็น๏ผๅๅฐArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnkiๆผ็ๅฅฝ่ไธ่ฏฅ剧情片่ฟท็่ฎคๅฏใ
5ใใ欧洲的某%๐ด๐๐คฎ%个地方ใ剧情片็ไธป่ฆๅ ๅฎน
ใ欧洲的某%๐ด๐๐คฎ%个地方ใๆฏไธ้จ剧情片剧情片๏ผ็ฑๅฏผๆผ๏ผRadvรกnyi,Gรฉzaๆงๅฏผ๏ผไธปๆผ๏ผArtรบr,Somlay,Miklรณs,Gรกbor,Zsuzsa,Bรกnki
ใ欧洲的某%๐ด๐๐คฎ%个地方ใSom๐`๐๐ e๐ ;wh ๐ere i๐ฌn the ๐๐ฌ๐remote region,๐ช๐๐คฃ%๐คข the war ๐,ends/๐คช`. In๐ the ๐@๐๐#m%๐คญ๐คฅ ๐i$=;๐คซ๐dst of ruined c๐ ities and houses in th๐ค๐๐e st๐ถ๐ ree๐๐คt๐๐คชs, in rural$๐คจ haml๐๐๐(๐ets, ๐@ everywhe ๐ดre where ๐คฃ peop๐คค๐@๐ทle stil๐คl live, are ๐ค๐คญchil๐๐ค๐๐๐dren w๐ ho ๐๐=,๐คhave]๐๐ค, ๐๐ค๐!๐คlost the ir hom๐๐ค,es and๐ pare๐ฌ nts. Aba๐๐คจ๐๐ดn๐คซ๐๐๐คจd๐ช๐ทo๐ค๐ฌned, hu๐[!ngry, an($@๐d in ๐ ๐ rags, ๐คญ๐de,๐คจf^[ensele ๐ช,๐ถ ss=๐ a ๐?nd hum๐๐ทiliated, they(๐ wan๐คขd๐ค :er thr ๐คou๐ gh the w๐๐คฎ๐คฅorld. Hunger (๐ฅฐdrives ๐คฃthem. Little stream^\๐๐s o๐ !f or๐คp(๐ ๐ช@han๐๐คs merge ๐ into a ๐๐ค๐river which rushes forward a,nd submerge๐๐๐s ]๐คคeverything in ๐๐i๐ts path. T%๐คhe chi๐?ld๐คฃ+๐ren?:๐ค do not k[๐๐ค )now an๐คฎ^๐+y^๐คช๐ feeling; \the:๐ฅฐ๐y know o] ๐๐คฃnly t๐ทhe.๐คค๐คฅ world o=๐ค๐ท f๐คฉ ๐ t๐] ๐he๐๐คญ๐`๐คขir ene๐ค๐mies. -๐ท๐๐ชTh๐ค๐๐ey fig๐๐๐ht, steal๐ช๐๐๐., struggle f๐๐คขor ๐)#a mo๐ uth๐๐ค๐ful of food, and v๐๐ฌ,iolence is merely a ๐๐คช๐คฅmeans to get_๐ด it. A gang led๐ฅฐ] )๐[=by Cahou๐n ๐๐fi๐๐nd\๐๐๐s a refug๐ e in an abandoned \๐คฃ๐คca๐ด๐คชs๐ค๐ถ๐คขtl#๐ ๐e๐๐คฉ๐คจ and e๐๐ท๐คขn!๐คcounters an old co๐๐mposer๐คญ! wh๐คคo ๐;` has volu๐ ๐คn๐ฅฐ!๐ดta๐๐คฎ๐คฎ;rily ;๐@ ;re`๐๐tired ๐ฌ)into solitud๐-๐ฌe from a world of ha ๐ถt r๐คซ๐ed, ๐คฅ )๐t๐๐คฅreason, and ๐๐คจcrime. How c๐ ๐คan th๐คฃ๐คฉ๐%๐ey find a c(((ommon ๐ช ๐ช๐gr ๐o๐คญ๐คฎ๐und, how ca๐คฃ๐คฃn they beco ๐me mutua๐๐คญl friends #/๐The๐ฌ๐๐ cas`๐คข๐ tle bec๐#๐คคomes the๐ ๐ir hiding%,๐ p๐๐๐lace but poss\๐ช$?ibly it wil,๐๐๐l also ?๐คซbe ๐ค( ๐ถ๐คญthe๐ ๐ด๐๐ir f?๐คฉ:๐คญirst home which they ma[๐ถy๐/๐๐] org๐ฌ๐an๐ท๐ize and๐๐ m๐ชu]๐คฅ ๐คชst defend๐ @-. But?๐ even for this, th๐e๐คค๐ price๐๐?_ w ๐คฃill ๐๐๐be very high๐๐+๐.๐ช๐คคใใT ๐๐o thi๐ท๐คญ๐s๐#๐`๐ simple ๐๐ค๐คฅ๐ด๐คขstory, th๐e jo๐ urnalis๐ค๐คจ:t, writer๐๐, ๐ poet, scr๐`iptwriter, movie๐ di๐คฅrector, and fil๐ฌm theor๐ ๐คฅ+#et;*๐\๐คฃician Bรฉ๐ด$la ๐B๐]๐alรกzs ap ๐๐ดp๐๐lied;.๐ค๐ many ye+ar๐s๐ ๐ฌ of exper๐คฎ๐๐คฃience. $He ๐ and t๐๐he di\๐คคrector Gรฉza / ๐R ^๐a#?d*๐คญvรกnyi๐คฅ.#๐ cr๐๐+eated a work which @ (o^_pene \๐๐ด\d % a new p๐๐ถostwar ๐ด๐ค๐chapter๐ค ๐๐ด๐คญ๐in๐๐;๐ Hungarian film. ?๐Surpr๐คซ ๐isingly ๐ช`,๐๐ this f ๐i_๐ด๐?lm has ๐ค๐คคnot lost๐) any of i๐๐คค๐คฅts ๐im๐ pact ๐๐over ๐ถ%the years, espec *๐ia๐lly on a ๐คซp.;๐[rofound ๐philosophic!๐ถal le๐๐คคvel. That is to say, i๐t๐คฎ is not !@ me๐คฉ๐๐rely a ๐ค๐๐๐๐mo๐คซ๐vie ๐ฅฐ๐คฃ]๐ฌabout wa๐ถ/๐(r; it is n๐๐ *ot important i๐n w h;๐๐คค at๐?/ location๐\๐ด๐๐ and in what perio๐d ๐๐ ๐;๐of time it take$๐ด ๐คฎs place. It is a sto๐+\r๐/y outside๐ of time ab@๐๐o#.ut the ๐jo(+yless f๐, ate of c$,๐^hil $๐ฅฐdren ๐๐wh ๐๐คฃo๐คฉ๐คค pay dear๐๐ช๐ly for _๐ด๐ฌ๐the ;,cruel ๐war games of ๐ค๐ad๐!ults.๐#๐%ใใA t๐ the t๐๐คซ๐๐ime it `๐๐ท๐ค๐คw๐คฉ?๐as premie๐ red, the movie was enthusiastical๐`ly ( rec;*๐ทeiv๐๐ed ๐ ^by t๐ฌ๐he cri๐๐tics.๐ช ๐คข^The m๐ค๐ท๐ฅฐain roles were!@=๐คซ taken ๐คซ##๐คจby stree=๐๐twise bo\๐คซ๐คญys of a children's ๐gr๐๐ชoup who created their ro๐คles -๐คจimprovi`satio ๐ค๐๐๐nal ๐ly i๐๐n close contact \๐๐,with a fe_%w profes๐sion๐ค๐คญ_al๐+ actors๐ค!, and i%๐n the c๐๐คซ#๐hildre๐๐]๐n's acting t๐heir own fresh ex%(๐๐๐ดp๐๐คซ eri๐๐ *ence of war's turmoil app๐ค,๐ears ๐ค๐คข๐ ]๐ฌto be reflected. At the๐คค] same๐๐ ti๐คฎ๐m๐คฎe,^ their performance fits admirably in๐ค๐๐to the mosaic๐คข๐, of a very com.๐ค๐ฌpl๐คจ๐คข๐ถex movie languag๐คข๐#๐-e๐ค. Balรกzs's$@_๐ influence reveal@๐คฅed itse ๐$๐ดlf, above al=] ๐l, in the introd๐๐ด+%๐คฅuctory s๐๐+๐eq๐ช๐ค๐๐uences an air๐๐ raid )=on an ^=am #usemen๐t park,;!=๐ค๐ seen๐ด#, in a montage ๐ ๐คค๐of ๐ท ๐dramatic ๐situations ๐ค๐ท๐ฅฐevo๐คฅ;k๐-ing the last spasms o%f war๐๐คฅ๐@,๐๐ where, ๐ท*]undoubted..-ly, we discer๐๐n th๐.e๐+ ๐ influ$๐ช`๐ence%๐ of cl๐ค๐assical Soviet cine๐คฉ ๐mato๐ค๐gra:๐คphy.๐๐/ /^S๐๐๐hooting, t๐ ๐he boy's escape๐๐๐ , the l๐ฌ๐ด๐ถocomotive's๐๐๐คช whee%`ls๐๐ค ;, the s\๐คฉ๐\๐คฉhadows of s ;๐๐ด๐o ๐ค๐ ๐ค๐คl/diers with@๐๐ด su#;๐b?๐๐machine guns, the sound o๐ด@;f a w๐,histleโthe images ar๐ค]๐คญ e๐๐ค linked ๐ฅฐ^๐ฌtogether i๐๐๐n๐ฌ๐ abru -๐ช pt ๐se๐๐q๐คฎ@^๐๐uen๐คญ๐ ces @๐in wh-๐/ich varyi๐_% ng shots ๐ค๐๐๐a:๐ค๐#๐nd ๐๐๐ช)ex)/pressive sha๐ฅฐ-rp๐ค๐คค๐ด๐ค ๐๐๐sou๐๐nds are๐ค๐คซ๐ด em๐ph๐ a?si ๐คจ๐๐คญzed. A perf( ๐ectly ๐ค๐๐ถ๐๐ฌplanned s๐ค๐๐คญ๐creen+play avoided all elemen๐๐ดts of sentim๐ชe๐ค๐คntalit ?y, time-worn๐^!๐ stereoty;/,๐๐pes๐๐=๐ช of@ ]๐#wronged ๐คฃ๐* ๐childr`en๐คฉ๐ฌ, romanticism an?;d cheap simp^๐*@lification. The au ๐tho:๐คrs succe๐ท๐คฎeded in๐ bridg ๐คคing the pe๐ท_๐๐๐rilo๐คฅ๐us@๐ค๐ค ๐๐คญ๐dramatic ab๐ค+๐คฉ๐คฉyss ๐๐คจ of t๐คฉ๐คข๐๐คh๐๐คช๐ท๐คฃe metamorphosis of `๐ #a childre๐๐คญn๐๐๐%'s๐๐,๐ com๐ค๐คค.munity. Th๐eir t !๐๐elling of๐๐ th๐ฌ๐๐$ e๐\@ ๐๐s๐t%๐คory (the scene of pillagi๐๐ฌng, th๐^*e๐ ass:๐๐คฃault on t๐:he castle๐๐, et,c) i )?ndependently๐ฅฐ introduced so ๐ด๐๐๐คฎme neo ?realist element,๐_s which, at t๐ด๐คค๐คha๐)t ๐time, w๐ฌ^+er๐คซ๐ค๐ท๐e๐๐๐ ๐#๐คญ๐ฌbe๐คญ๐?i[๐ng pro๐๐pagated in Ita๐คฎ๐คญly ๐คฅ by De๐ค๐คช๐๐ Sic๐๐a๐ช#!, Rossellini๐-๐, an๐คฎ^๐ ๐d other film arti๐๐sts. The reb.๐ :u๐ ๐ ๐kes of cont๐๐emporary cri๐คญ๐tic s, w-๐คช/ ho]๐ called atten๐๐คข๐คซ๐คซtio ๐๐คn to for-๐ดmalism๐๐ f๐ฅฐ$๐or !๐ it๐.]๐s o%๐wn /sa๐๐ค#ke have b๐ฌ ๐ ee๐_n forgott๐คฃen. ๐ช ๐๐T ๐he?/ masterly art o๐คฃ,๐ค๐f ca๐ด๐คฎm๐คฎeraman๐๐ ๐๐คB)๐ค]@ar๐๐๐ nabรกs He(gyi gi๐=,ves v๐ฅฐ๐itality:๐๐คฎ [๐คto the po)๐etic ima๐ค๐๐ges. H ๐๐๐is a๐ ๐คngl) \e _ ๐[shots of ๐ถ๐คชth@๐e๐ child ๐๐คren, hi๐]#s compo๐๐sition of scenes in the ca@๐๐คstle ๐ช]๐.๐คฎinterior,`๐ are a li #;vin๐ท๐ถg doc=-๐%ume๐๐nt [ o-๐ f t๐ทhe times๐๐ฅฐ๐คข๐ด,๐คฅ๐ ๐คฅ` and underline๐ด=๐๐๐ the atmos๐^phere=๐๐คข ๐๐๐๐คฅ^and the charac๐ท๐คter๐คฎ๐คซ๐ช๐คฅs of t+๐คฃhe protagonists. ๐๐๐๐The s๐ #uc๐คจ๐ค๐คce@๐ss๐คจ๐คค๐คซ๐ of the+ pict๐๐:๐ทure was also enhanced by the musical art๐ค๐๐คฃ๐@ of ๐compos๐ค^ er Dรฉnes Bud.๐ฌay๐ฌ๐๐ค๐ฌ๐ who, in๐คฉ๐ te๐ถn ๐@se situat๐๐คฎ๐io(,ns, :๐inserted ๐คth ๐ดe theme of t:๐ค๐๐he Marse_๐คฃ๐คซ๐ค#ilaise๐ค[๐ into the mo๐คฅ๐ฌ๐คvie's st==๐ru^)๐คctur ๐e, as a motive ๐คฃ`๐ค๐๐of community unific` ๐คซ๐คฉa๐ค๐๐คฎ ๐ti ๐คฉ๐ on, as an e๐ค/๐๐x๐คซpression of๐คข๐ friend๐๐คข๐s๐คค:๐คชhip ๐and the possi๐!b๐๐๐ility๐ฌ: of \)^๐ค@un+,/derstan๐คจ๐d/+๐ing.ใใValahol Eu๐คฎropaban is the f๐๐คirst signifi!^ca๐คฉ๐๐คnt post๐คฅ ๐ทwar Hungari ๐an fil๐ฅฐ ๐คข?m. It originat๐คค; ๐ed๐๐. in a rel๐คช ๐ axed atmos๐๐คphe๐re, re๐๐คคpl^๐ete w$\๐ค๐ค๐ith j๐ถoy and euphori๐ค`a, and it :๐คฃ in๐ค๐๐clud๐คฉ]`๐ถes these element#๐!s in order to demons๐คญ๐trate the๐ค๐ค st@%๐%r`๐]ength of huma๐คค๐ค๐nism, toleranc๐!๐e, and๐๐คญ๐ค fr๐i๐คซ๐๐๐คขendsh๐คญ`๐i-=p.๐ถ๐ด๐`๐ It represents a ๐คข๐ค_ge ๐ฅฐneral condemnat๐=\๐ค๐ถi]๐ค๐๐on of war anywhere in the๐๐ world, )๐๐ฌin any fo=๐ฌ/rm.